The following transcript
is an extract from the BBC Radio 4 programme “Wither the Arts?”. Renowned Hound
Art Historian and radio favourite Harry Balzac spends time at the Devon Commune,
and interviews some of the country’s most fĂȘted and gifted artists. You can hear the programme again on Thursday at
noon after The Lurchers, or download it as a dogcast.
©Broadcasting Board
for Canines
Harry: Today I am
delighted to be visiting the Devon Commune, world famous for the quality of its
artistic endeavours. Set in the rolling
hills on the edge of Exmoor, the prodigious output of the artists who live here
is in evidence wherever you look. We are
lucky to have all four experts present, so without any further ado, let’s get
cracking.
First to Cody Alexander Timberlake. Cody, it is so nice to meet you again - I
think last time we spoke was at Fashion Week in Monaco, when you were designing
sets for the runway. It was the year with
the furore over the size 0 whippets. Back
home, you have always leant towards working with fur, most often in mixed
media.
Cody: Hello
Harry. Yes, I decided early to focus on
what I could get my paws on in abundance, and this has meant I am able to work
pretty much non-stop on creating hair-based features. There isn’t a room in this house that doesn’t
have something that I’ve made, but occasionally you have to search to find them
– it’s often a surprise when you do. Spare Husky Under The Sofa was a hidden
gem for many months, until someone finally decided to look down that low. You
should have heard the critical acclaim…I was almost embarrassed.
Harry: And who
could forget Newly Painted Skirting
Coated In Hairs? What a masterpiece! Sonny May, your work is more broad-brush and
snout?
Sonny: Yes indeed
Harry. I prefer a large canvas, such as
a painted wall, and don’t let the edges of the medium constrain my art. The more splashes of random colour, the
better – the tail is such a good tool for quick and joyfully free
application. However, it is easy to
overdo it, so I move on to clean workspaces at a rapid pace. And for fine detail, there is nothing quite
as satisfying as nose-art-on-glass. The
texture and smear!
We’ve also all be working on a collaborative piece, or I
should say, set of pieces. Transitory
art is in vogue nowadays, and the four of us have a weekly project. The one you can see here is Footprints On Wood Planks #88, mixed
media – water and soil mainly, but sometimes we add straw, cut grass and all
manner of detritus. It’s an exciting
project because it’s regularly washed away, so we can refine our approach. The ephemeral nature just adds to the beauty.
I think my favourite was Footprints On
Wood Planks #37 – what a presentation! There had been storms for several
days, so a wonderful mix of silt and mud was available, and we had the
brainwave to add some tummy-rolls and, my speciality, tail flicks.
Harry:
Fascinating! Thank you Sonny.
Now, the following artist probably needs no introduction as
he is a household name. A grandee of the
art world and a creator rather than follower of fashion – our national treasure,
Joseph Jones. Do you mind if I call you
Joey?
Joseph: Now now
Harry, you rascal, you know that I only allow my most intimate friends to call
me Joey. But if you must, you must.
Harry: I heard a
rumour that you are planning on retiring?
Joseph: Well, I
have slowed down. Given my age, I should
be in my dotage. But my mind is still
sparking and I’m very excited to be working on a new concept, a fusion of the
inside and out that seems like a very rich vein to tap.
Harry: You were
always famous for your external installations, especially when you were
collaborating with Freddy Dingo. Who could
forget Hole Under The Fence or Poo Balancing On A Log?
Joseph: [sighs]
Yes Harry, those were furiously productive years. Dear dear Frederick, we made a good team – my
muse and his action. He could always
translate my bubbling cauldron of brilliancy into a physical representation
that would leave the viewer gasping, wondering if they were seeing what they
were seeing. It’s not been the same since he passed away. [short silence]
Still, one must pull oneself up by ones dewclaws and move
on. I’m exploring bringing the outside
into the house. My latest work Pool Of Piddle has had the critics
exclaiming! I have several partially
finished oeuvres, including Drops Of
Piddle On The Carpet and Doggy Bed
Wet Patch. Young Ned did try
imitating my style for a while, but it seems it was just a phase. I have plenty of ideas going forwards, so
watch this space.
Harry: And I
guess where we walk too! Your long-time
rival Feydeau has been very uncomplimentary about your efforts. Do you have a riposte?
Joseph: Pah. That
popinjay! I knew Feydeau before he
changed the spelling of his name, got a diamante collar and started wearing
that ridiculous tartan jacket. And what’s
with the haircut? A fringe and pompoms…I
ask you! I want to have nothing to do
with him. He wouldn’t know good art if
it was flung out of the back of a cow and hit him in the face.
Harry: Ok, so
still no love lost there. Thank you
Joseph.
Now, over to the youngest member of the commune, Neddy
Benson.
Ned: Hey
Harry. Please, call me Ned. Neddy is so bourgeois - I’m a working class
dog. I may have an aristocratic sleekness
and extensive training, but I come from a working family. My mother worked, and after weaning we were
raised by my aunt who had only three legs, but she never let that slow her
down. I put all of my energy into my
art, and am more of a destructionalist than the others. I really feel that you have to break something
down into its component parts in order to be able to see the wonderful beauty
within.
Harry: This style
hasn’t always gone down well, has it?
Ned: No, alas
not. I think perhaps the world isn’t yet
sophisticated enough to appreciate Lino
Ripped From Utility Room Floor or Chewed
In-sole. The middle classes are
threatened by such a radical art movement – it leaves them speechless and,
unfortunately, occasionally choleric.
They’ll come round eventually though.
I will win through with my charm and enthusiasm.
Harry: I was going
to talk more with the others, but Sonny has wandered off to reapply mud to his
tail, while Joseph and Cody are clearly deep in thought over their next
endeavours, the latter acting out his next work as he lies on his back,
twitching this way and that. And now Ned
has gone back to the impressive structure he is making out of ripped paper,
chewed sticks and the stuffing from the inside of a teddy. So dear listeners, thank you for your
time. Remember, if you do nothing else
today, create something beautiful.